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"My dear fellow, you can't have forgotten it so soon," says Geoffrey, pretending to misunderstand this vehement whisper. "Don't be shy! or shall I refresh your memory? It was, you remember, about——" "Get off now, my brother, get off," said the bear. "There is the camp of your people. I shall leave you"; and at once he turned and went off up the mountain. They have reached the farm again by this time, and Geoffrey, taking up the guns he had left behind the hall door,—or what old Scully is pleased to call the front door in contradistinction to the back door, through which he is in the habit of making his exits and entrances,—holds out his hand to bid her good-by..

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"How brilliant the moonlight is to-night! See—watch"—eagerly—"how the shadows chase each other down the Ranger's Hill!" The Australian seems particularly struck with this fact. He stares in a thoughtful fashion at the wall with the small panels, seeming blind to the other beauties of the room. When she has finished, Geoffrey says "thank you" in a low tone. He is thinking of the last time when some one else sang to him, and of how different the whole scene was from this. It was at the Towers, and the hour with its dying daylight, rises before him. The subdued light of the summer eve, the open window, the perfume of the drowsy flowers, the girl at the piano with her small drooping head and her perfectly trained and very pretty voice, the room, the soft silence, his mother leaning back in her crimson velvet chair, beating time to the music with her long jewelled, fingers,—all is remembered. "Mr. Maxwell! Mr. Maxwell!" cries Mona, as he approaches them; and the heavy man, drawing up, looks round at her with keen surprise, bending his head a little forward, as though the better to pierce the gloom..